Really? It's February already? Where did January go?
2013 has already started off with a bang. A loud, very wild KABOOM! But in a good way.
Aside from having to dodge a couple of stalkers, January was an outstanding month. I released my fourth AKM book, Rebel Obsession, while simultaneously offering book one, Rise of the Fallen, as a free read.
Oh goodness! I can't describe how successful the free offering was. Best thing I think I could have done to celebrate the release of book four, because January was a record-breaking month. I sold more books in January than I did in all of 2012, and my final results amazed even me. Fan feedback was incredible, with my AKM boys pulling in hundreds of new fans, and Rise of the Fallen being voted by readers as their second favorite story for January on GraveTells, ahead of books by Lara Adrian and Kresley Cole. I'm one extremely grateful person right now for a lot of reasons, one of which is that I have a mountain of respect for Adrian and Cole, and I love their work, and for my little story to be voted so favorably by readers in a category of stories that included theirs is humbling and unfathomable. So, many thanks to those who have shown such love for Rise and all the other AKM books.
Additionally, book two of the AKM series, Heart of the Warrior, has won over a tremendous amout of first-time m/m romance readers, and the feedback from readers has been heartwarming. I have received so many comments about how a reader had never considered reading a m/m romance before, but Heart of the Warrior won them over. Readers love the raw emotion and love between the characters in Heart, and if I had a nickel for every reader who said they broke down in tears from the story (in a good way), I'd be rich. One reader actually told me Heart touched him on a very real, personal level, because Sev's and Ari's story reminded him of his own. That means so much to me to know that something I wrote touched someone in such a very personal way.
Furthermore, the initial feedback for Rebel Obsession has been outstanding. I've had several tell me that Rebel is the best of the series so far, with a few more saying that this story also brought them to tears. The pain of the characters seemed to touch readers on a deeper level than I thought it would. And who would have thought Io could redeem himself after the way he behaved in Heart of the Warrior? But, he did. And fans love him.
Lastly, the response to Rise of the Fallen carried over to Micah's Calling, the novella follow-up to Rise. MC was my #1 seller in January, which is simply amazing. I actually feel like MC is my weakest of the series, but fans have loved it. Just loved it.
Next up is Malek's book, Return of the Assassin, and I hope he continues the trend so that readers can once again cry and rejoice through his pain and eventual (hopefully) salvation.
And I know you're all waiting for Traceon's story, Bound Guardian Angel. He's on his way. His story comes after Malek's, and it's shaping up in my mind to be worth the wait. But something tells me that even after his story, we'll hear more from him. A lot more.
In addition to those two books, I'm also working on a four-part prequel, which will include a view into Tristan's and Josie's story, as well as a novella for Sev and Ari (yes, my hot m/m couple get a novella). Beyond that, there's lots more to come in the AKM world, with a sister series beginning to develop, as well as 5 more AKM books already in various stages of planning.
Happy reading and writing! And HAPPY 2013 TO ALL!
-D
Showing posts with label Rise of the Fallen. Show all posts
Showing posts with label Rise of the Fallen. Show all posts
Friday, February 1, 2013
Wednesday, January 16, 2013
Seeking Author Donations for My Anniversary Giveaway
Are you an author who would like to get some free promotion and be a part of a huge giveaway I'm hosting in March to celebrate my one-year anniversary of my first published book? I'm looking for donations to be included in three prize packages that, as of right now, will include:
I'll be posting details soon, but my goal is to have three awesome prize packages to give away, and I'd love to have book and swag donations, such as bookmarks, keychains, pins, etc., to add into the prizes. Anyone who makes a donation will receive free promotion during the course of the celebration, which will run from March 18-31, so I'll need all items in my hands by March 13. The earlier the better so I can build a picture library of each prize package.
If you're interested in participating, please email me at donya@donyalynne.com and put "Anniversary Prize Donation" in the subject line. Include in your email what you would like to donate, and I will reply as soon as possible.
Thank you and happy reading!
-D
- A signed copy of Lover Awakened, by J.R. Ward
- A signed copy of Lover At Last, by J.R. Ward
- A signed copy of Edge of Dawn, by Lara Adrian
- Various author merchandise, such as T-shirts, keychains, etc.
- Books by a few of my fave authors
- Swag from my own collection.
- [Fill in your book or swag info here]
I'll be posting details soon, but my goal is to have three awesome prize packages to give away, and I'd love to have book and swag donations, such as bookmarks, keychains, pins, etc., to add into the prizes. Anyone who makes a donation will receive free promotion during the course of the celebration, which will run from March 18-31, so I'll need all items in my hands by March 13. The earlier the better so I can build a picture library of each prize package.
If you're interested in participating, please email me at donya@donyalynne.com and put "Anniversary Prize Donation" in the subject line. Include in your email what you would like to donate, and I will reply as soon as possible.
Sunday, November 25, 2012
The Purpose of Scenes - Show vs. Tell - Part 2
In my ongoing series of Show vs. Tell, I'm bringing you a run-down of Chapter One of Showing & Telling, by Laurie Alberts, where we dive in to the most basic component of showing: the purpose of scenes. Until you understand why scenes are used, you can't have a full grasp of the concept of showing your story.
First, we need to understand what readers want. Why do they read fiction? Why do you read fiction? We read fiction "to be transported out of our own skins into the lives of others—we read to expand our emotional awareness," according to Ms. Alberts. Scenes are the means by which authors fulfill this reader objective.
Okay, so how do you use scenes to show? By understanding the purpose of a scene, which is covered in chapter one of Ms. Alberts' book.
The Purpose of Scenes
Scenes are used to:
Scenes make characters seem real, which naturally leads to an emotional connection with your reader. One of the best compliments I've gotten on my AKM novels is that readers feel so strongly that the characters are real that they fantasize about them, make up stories in their minds about them, and want to go to Chicago just to see if they will bump into them. I've heard this from a few of my readers, and when I receive a comment such as, "I daydreamed all day about Micah and Trace and couldn't even focus on folding my laundry," I know I've created an emotional connection between those characters and the reader. You can't fantasize about someone you don't envision as being real.
And why do my readers feel like Micah and Trace are real? According to Ms. Alberts, "The 'real' feeling comes from the reader going through the experience with the character as it's happening in time, complete with sensory detail." In other words, my scenes are so powerful and evocative, readers feel like they're in the scene with the characters, living it, seeing it, and experiencing it right alongside them. That is what you want to bring to your scenes.
Let's look at the rest of the items on the list after reading an example from Rise of the Fallen, my first AKM novel, since that's easier than trying to find a sample written by someone else, or retyping the one in Ms. Alberts' book.
In this scene, Samantha is tending to an injured Micah, who she isn't aware is a vampire. She just knows he is badly injured, excruciatingly thin, and has seen that he has been self-mutilating his arms by cutting them. She is about to treat a shoulder wound by cleaning it with alcohol, which is the "white heat" Micah refers to in the third paragraph that brings him out of his mostly-unconscious state:
-----
We start the excerpt with a brief summary that transitions us from Samantha's POV to Micah's, but once we get past the summary and into the scene, you emotionally connect with Micah's pain and humiliation, his hunger, and eventually, his dismay over his whereabouts. You can connect emotionally because the scene is rendered dramatically. I didn't just tell you what was happening. I showed you. The action moves the story forward by bringing Micah into awareness and introducing him to who will ultimately be his reason for living, Samantha. Suspense is built because now Samantha knows there is something very different about Micah. Hell, he bit her, for crying out loud. And drank her blood! What normal dude does that? And how will she react when everything comes out about who and what Micah really is? How will these two embark on a relationship when she's human and he's a vampire? I can't say this scene creates change over time, but it is the beginning of a changing point for Micah as he progresses from a suicidal state of mind to one where his survival becomes of the utmost importance. We're not introducing characters in this scene, but we are revealing a bit more about Micah and Samantha. The theme of never give up or lose hope, because hope could be just a step away is introduced in this scene. And, maybe it's just me, but I think mood is clearly established for both Micah and Samantha—one of fascination and intensity. The relationship between these two characters, as well as throughout the book, will be severely intense. No resolution has been provided.
Scenes won't encompass all the bullet points on the earlier list, but they will illustrate at least some of them. If you have a scene that doesn't fulfill any or only one of the above purposes of a scene, you might want to consider removing it, because that's a sign it's probably not necessary and the information can be better included elsewhere.
A word on theme, plot, and action, as defined by Laurie Alberts:
Theme is not plot. Theme is what the story or essay is about on its deepest level. The theme could be as simple as "look before you leap" or more complicated, depending on the story. Ms. Alberts uses the following example in her book: "It took an accident for Sally to discover that she wasn't cut out to be a kindergarten teacher and that she needed to keep searching for her true calling."
Action refers to the events that happen in a scene and in the narrative as a whole—this happened, then that happened.
Plot, however, is action with a cause-and-effect relationship—this happened because that happened.
Next time I'll talk about the types of scenes, which may take more than one post, since conflict is one type of scene that's so important, it might need its own post just to emphasize just how important it is.
Until then, happy reading and writing!
-D
First, we need to understand what readers want. Why do they read fiction? Why do you read fiction? We read fiction "to be transported out of our own skins into the lives of others—we read to expand our emotional awareness," according to Ms. Alberts. Scenes are the means by which authors fulfill this reader objective.
"To be truly engaged in the lives of characters, events must be dramatized rather than simply reported; for dramatic impact we must be grounded in place and experience the illusion of real time passing, which only occurs in scenes. We must live the moment along with the characters, especially moments of change." -Laurie AlbertsRemember from Part I of this series, Scenes vs. Summaries, scenes take place in the moment, whereas summaries refer to something taking place (or that took place) outside the moment. Scenes show; summaries tell.
Okay, so how do you use scenes to show? By understanding the purpose of a scene, which is covered in chapter one of Ms. Alberts' book.
The Purpose of Scenes
Scenes are used to:
- create an emotional connection between character(s) and reader
- dramatize events
- move action/plot forward
- introduce or intensify conflict (and we'll talk more about conflict when we discuss the different types of scenes, but conflict is THE single-most important element to moving your story forward)
- build suspense
- create change over time
- introduce or reveal character
- introduce themes
- establish mood
- provide resolution
Scenes make characters seem real, which naturally leads to an emotional connection with your reader. One of the best compliments I've gotten on my AKM novels is that readers feel so strongly that the characters are real that they fantasize about them, make up stories in their minds about them, and want to go to Chicago just to see if they will bump into them. I've heard this from a few of my readers, and when I receive a comment such as, "I daydreamed all day about Micah and Trace and couldn't even focus on folding my laundry," I know I've created an emotional connection between those characters and the reader. You can't fantasize about someone you don't envision as being real.
And why do my readers feel like Micah and Trace are real? According to Ms. Alberts, "The 'real' feeling comes from the reader going through the experience with the character as it's happening in time, complete with sensory detail." In other words, my scenes are so powerful and evocative, readers feel like they're in the scene with the characters, living it, seeing it, and experiencing it right alongside them. That is what you want to bring to your scenes.
Let's look at the rest of the items on the list after reading an example from Rise of the Fallen, my first AKM novel, since that's easier than trying to find a sample written by someone else, or retyping the one in Ms. Alberts' book.
In this scene, Samantha is tending to an injured Micah, who she isn't aware is a vampire. She just knows he is badly injured, excruciatingly thin, and has seen that he has been self-mutilating his arms by cutting them. She is about to treat a shoulder wound by cleaning it with alcohol, which is the "white heat" Micah refers to in the third paragraph that brings him out of his mostly-unconscious state:
-----
Micah had been in a semi-lucid
state, aware of everything going on around him but unable to rouse himself. He
had felt the woman cut off his shirt, had felt her sure, confident hands
ranging his chest and torso before her gentle fingers caressed his face. She
had talked to him, too. Well, not really to him, but sort of. Her voice was
smooth and low, sultry. He just wanted her to keep talking. The sound of her
voice was a balm, an audible salve to soothe his soul.
But then she had grown quiet and
sucked in her breath. Micah touched her mind and realized she had seen his
self-mutilation. Shame flooded him as his long-absent conscience reappeared,
chastising him for what he had done. For some reason, he didn't want this woman
seeing the damage he had done to his own arms.
And then everything shattered
into white heat as fire stung his shoulder.
Intense hunger raged like
wildfire. Micah couldn't recall ever needing to feed this badly. In an instant,
his eyes flashed open and shot to the woman tending him. Terror erupted in her
expression, but all he could see, think, feel, smell, and breathe was blood.
Glorious, life-giving, hunger-sating, Heaven-sent blood. With graceless
impropriety, Micah yanked her wrist to his mouth like it was a sandwich and he
had gone way too long without food then bit down with unceremonious impatience.
When was the last time he had
truly fed?
The woman struggled as he locked
his hands around her arm and lurched upright with her wrist clenched in his
mouth. Her blood flowed like a river of life into his belly, and he moaned in
ecstasy even as he fought to restrain her. He had been too wrapped up in his
need to feed to compel her into submission, and she grappled, squirmed, and
struggled against him, gasping and protesting for him to stop.
Blood. All he could think about was drinking her blood. She swung
at him with her free arm, kicking and trying to pull away, but he stayed with
her, using one hand to deflect her haphazard punches, turning his body to avoid
her kicks. All the while, his fangs kept her wrist locked in his mouth and her
blood spilling down his throat.
He finally overpowered her and
bent her back and down to the floor. Crouched like a man kneeling in prayer,
his gaze ranged up her arm that stretched between them, linking her to him like
an umbilical cord as she continued to struggle. His feral gaze locked onto the
pools of clover green in her eyes as his chest and abdomen heaved lustfully.
Blood lust. Strong and pure and all-consuming, it gnawed at him like a jackal
on a bone.
The woman tried to cry out, but
he slapped his hand over her mouth, stifling her scream, taking his fill of her
blood as her body finally stilled beneath his.
It was only then that Micah
realized she was crying. Tears streamed her cheeks as horrific sobs convulsed
her chest. As his senses ebbed back into him, he gently lifted his hand from
her mouth, keeping it close in case she tried to scream again.
"Please, please stop. Don't
kill me."
Her fear smelled like sulfur as
the words clubbed him. Kill her? He didn't want to kill her.
Where was he, anyway?
Micah's eyes flitted around the
room and suddenly it was clear he wasn't in Kansas, anymore. What was this
place? He had never been here before. Nothing was familiar. How had he gotten
here? His eyes darted back to hers.
After releasing her wrist with a
gasp, Micah fell back like he had just seen Jesus wagging a judgmental finger
at him, and he ass-planted on her generic beige carpeting.
"Where am I?" he said.
-----
We start the excerpt with a brief summary that transitions us from Samantha's POV to Micah's, but once we get past the summary and into the scene, you emotionally connect with Micah's pain and humiliation, his hunger, and eventually, his dismay over his whereabouts. You can connect emotionally because the scene is rendered dramatically. I didn't just tell you what was happening. I showed you. The action moves the story forward by bringing Micah into awareness and introducing him to who will ultimately be his reason for living, Samantha. Suspense is built because now Samantha knows there is something very different about Micah. Hell, he bit her, for crying out loud. And drank her blood! What normal dude does that? And how will she react when everything comes out about who and what Micah really is? How will these two embark on a relationship when she's human and he's a vampire? I can't say this scene creates change over time, but it is the beginning of a changing point for Micah as he progresses from a suicidal state of mind to one where his survival becomes of the utmost importance. We're not introducing characters in this scene, but we are revealing a bit more about Micah and Samantha. The theme of never give up or lose hope, because hope could be just a step away is introduced in this scene. And, maybe it's just me, but I think mood is clearly established for both Micah and Samantha—one of fascination and intensity. The relationship between these two characters, as well as throughout the book, will be severely intense. No resolution has been provided.
Scenes won't encompass all the bullet points on the earlier list, but they will illustrate at least some of them. If you have a scene that doesn't fulfill any or only one of the above purposes of a scene, you might want to consider removing it, because that's a sign it's probably not necessary and the information can be better included elsewhere.
A word on theme, plot, and action, as defined by Laurie Alberts:
Theme is not plot. Theme is what the story or essay is about on its deepest level. The theme could be as simple as "look before you leap" or more complicated, depending on the story. Ms. Alberts uses the following example in her book: "It took an accident for Sally to discover that she wasn't cut out to be a kindergarten teacher and that she needed to keep searching for her true calling."
Action refers to the events that happen in a scene and in the narrative as a whole—this happened, then that happened.
Plot, however, is action with a cause-and-effect relationship—this happened because that happened.
According to E.M. Forster:
Action = the king died and then the queen died.
Plot = the king died and then the queen died of grief.
Next time I'll talk about the types of scenes, which may take more than one post, since conflict is one type of scene that's so important, it might need its own post just to emphasize just how important it is.
Until then, happy reading and writing!
-D
Friday, October 12, 2012
Sweet Heat Trick or Treat Blog Tour - Meet Traceon
Sweet Heat Trick or
Treat Blog Tour
Trick or Treat
Gawd the Heat
Book
Boyfriends are mental-sweets!
The word in the photo is your “treat”! Make sure you keep it in a safe place. “Visit” the Road to Hell series (http://madisonroadtohell.blogspot.com) tomorrow, and each day thereafter, to find the next “treat”! The Sweet Heat Trick or Treat Blog Tour ends October 31st and on Halloween you’ll return to the Road to Hell series blog and receive your final word. Here’s the “trick”—you’ll have to arrange all the words you’ve received each day into a sentence and then provide the sentence in the rafflecopter provided. New entries will be added to the rafflecopter each day so be sure to check back at the Road to Hell series every day to increase your chances of winning!
I'm including a free e-copy of Rise of the Fallen in the gift basket, too, so if you've not read my AKM series yet, this is your chance to get to know Micah Black and his friend Traceon. Based on fan reaction, you don't want to miss out on Traceon. Here, let me give you a tiny taste as to why by sharing an excerpt from Rise of the Fallen (warning: adult language):
-----
Keys jangled at the door, and then John Apostle stepped
inside, still in uniform, his gaze sweeping the room in horror before stopping
on Trace. Trace held up his hand, fingers splayed. Apostle halted and froze
just as he tried to turn and run.
"Please, do come in," Trace said, slowly moving
his fingers, manipulating Apostle as if he was a puppet. "Close the
door." The dreck did as he was compelled to do. "Now, come here and
get on your knees in front of me."
"Before you die, I want you to know that Micah saved
the girl. She's one of us now." He leaned forward and grinned at Apostle.
Trace could feel the dreck's hatred and anger pushing through his fear, but it
didn't matter. He was as good as dead already. "Micah and I are her
guardian angels, now. And I am his. I won't let anything happen to either one
of them, but if anything should, I will single-handedly crush your entire race
before I take my own life. Do you understand?" Trace pressed closer, his
mouth curling into a malevolent sneer. "You failed, you miserable fuck.
What I will do to them won't even compare to what's about to happen to
you."
With that, Trace stood up and loomed over Apostle then
fisted one of his hands. The bones in Apostle's neck began to snap and pop, his
spine crushing. Then for good measure, with his other hand he squeezed and felt
Apostle's evil, blue heart explode inside his chest.
-----
Come and see what more Traceon has to offer:
AKM Book 1: Rise of the Fallen on Amazon
AKM Book 2: Heart of the Warrior on Amazon
AKM Book 3 is due out in January, 2013
Don't forget to stop by all the other blogs involved with this hop by clicking on the picture on the top left of my blog that looks like the one below (it will take you to the host blog where you can follow a link to the next blog on the hop and snag another word to complete the sentence on Halloween for a chance to win the price package):
Happy Haunting!
a Rafflecopter giveaway
Don't forget to stop by all the other blogs involved with this hop by clicking on the picture on the top left of my blog that looks like the one below (it will take you to the host blog where you can follow a link to the next blog on the hop and snag another word to complete the sentence on Halloween for a chance to win the price package):
Happy Haunting!
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