For a while now, I've been looking at redoing my blog and incorporating it into my website. Over the weekend, I did begin talking to a web developer about this reconstruct. In the next few months, I'm hoping to have a brand new website with my blog incorporated within. As soon as I have more information, I'll let you know.
Tuesday, January 7, 2014
Last May, at the RT Convention in Kansas City, I commissioned Mr. Quill to create two prints for me of one of my AKM characters, Micah. He gladly charged me $400 and told me it would take about three months to create the prints. Here is what has happened since:
In June, I emailed him to ask him if I paid for VIP service. I couldn't remember if I had and wanted to make sure I did. No response.
In October, which was five months after RT and two months after I should have received my artwork, I emailed Mr. Quill to inquire about the status of my order. I had given him two extra months past what he had stated for my delivery, but it was time to begin inquiring. No response.
October-December were incredibly busy months for me with a book release and a huge blog tour, so I didn't get back around to following up with Mr. Quill until last week, because, honestly, time got away from me. I could barely remember what day of the week it was and forgot my own birthday. I emailed him again January 2 to inquire about my order. No response.
I contacted the RT organizers and asked if there was anything they could do to help facilitate communication with Mr. Quill, since it was there that I met him. I also wanted to let them know what has happened so they would reconsider allowing him to have a booth at future RT conventions. They assured me that he has been banned from the convention in the future, because apparently, they have received a lot of complaints about him similar to mine. They also said one of their organizers would attempt to contact him to try and get a resolution to my situation. No response from Mr. Quill.
I emailed him again yesterday morning, stating clearly in my subject line that he needed to reply immediately to avoid legal action. No response.
However, I'm pretty sure Mr. Quill has received my messages, because in the five days since I emailed him on January 2 to today, he has shut down his website. I pulled it up last week to ensure he was still around, and it was there. This morning, I tried to pull it up, and it's gone. UPDATED TO ADD: Lo and behold, his website came up again about an hour ago, as of 1/7/14.
Hmmm. Not a good sign.
So, this morning, I filed a dispute with my bank for the $400. I asked them, "What if he doesn't respond to the dispute?" and was told, "He has to respond." I was like, "Well, he had better say yes to my dispute, because if he says no, I'm taking him to court."
During my research into how to reach Robert Quill, I found that I'm not alone in my troubles. Check out these links to others who have also been unable to get a response from him. Note that Robert (and his wife) did reply on the blogs. Interesting that they can respond to public outcries against him but not to private emails.
Abbielog - Deadbeat Artist
Killian McRae - Author-to-Author Warning
For those like me who are unable to receive responses from him, perhaps these links will help. I'll be saving these for my own files in case I have to sue him to get my money back:
Here's a listing for him on Wizard World
Robert Quill on Facebook
Better Business Bureau Listing
That's my story. Be warned and stay away from this guy. He took advantage of me, took my money, and that's the last I saw or heard of him. I guess I should have known something was awry when I returned to his booth at RT (when he told me to so I could see the sketches of the artwork he promised me) only to receive a curt and almost rude remark of how he hadn't had time to do it, yet...as if it was my fault. I should have asked for a refund then. Live and learn. But hopefully I'll help others learn from my mistake.
UPDATE: I did send Mr. Quill a Facebook message this morning, as well, notifying him that I've been trying to contact him and that I've filed a dispute with my bank for the $400. So far, no response. We'll see what happens.
Sunday, January 5, 2014
I won't always do a weekly recap, but since this series is still so new, I thought it appropriate this week.
We started the 365 Ways with last week's blog post on creating a 5-Year Plan. Since I already spent ample time on that topic, I won't rehash it here. The other topics I hit this week are:
- Know yourself
- Read "On Writing" by Stephen King
- How to start your story.
Let's look briefly at each one:
They say to write what you know, but you also have to write what you love. And to write what you love, you need to know yourself. For example, if you have no interest in vampires, you don't want to write a vampire novel. If you don't like reading romance, then don't write romance.
Right now, male/male (m/m) romance is super hot in the romance world, but authors who aren't comfortable with homosexuality shouldn't write a m/m romance simply to cash in. Same with Fifty Shades of Grey. I recently read an erotic romance written by a gal who admitted that she isn't comfortable writing sex scenes and only wrote the book because she wanted to jump on the Fifty Shades bandwagon. The problem was that I could tell as I read the book that she was not comfortable writing sex. It was glaringly obvious and detracted from my reading experience. What could have been a fabulous erotic romance came off as only lukewarm. Know yourself first, write what you love second, and then write what you know.
Also, know when you do your best writing. I'm a morning writer. I seem to be more productive before 2:00PM, the earlier the better. I used to get up at 4:30AM and get 2,000 words written by 6:30AM. Other people are more productive late at night. Still others write well in short spurts. This is individual to each author, and only you know when it's best to write for you. Also, do you prefer music or silence? A warm beverage at your side? A dish of m&m's? Once you know when and how you do your best writing, you'll soar.
Read "On Writing" by Stephen King
This is pretty self-explanatory. I will say that this was one of the first writing books I ever read, and many of Mr. King's advice has stuck with me almost verbatim. I'm not a big fan of Stephen King's fiction, but that doesn't mean he doesn't give excellent advice. He does. Read this book over and over and over until you've nailed his advice. He knows what he's talking about. I always say that if you want to be a bigtime author, you need to emulate a bigtime author's behavior when they're writing.
Too many self-publishers publish too quickly. They get impatient. They finish their rough draft and do a cursory read-through, and that's it. They might have a friend do a quick proofread or "edit" (I've seen some of these "edits" done by friends, and I'll just say, DON'T USE YOUR FRIENDS TO EDIT unless they are professional, trained, and educated editors), but that's it.
That book is your baby. The writing within it is your reputation as an author. Would you really treat your baby that way? Is it smart to sacrifice your reputation for a quick dollar? No. So, this is my advice: Write your first draft, put it away for a month or two, pull it back out and re-read it, and if you don't immediately vomit from how bad it is (and you might) start editing and rewriting it. After each edit/rewrite, set it aside for a few weeks, then come back to it and do another edit/rewrite. Do this about five times, maybe more. Send the story to your beta readers with the explicit instructions that you want them to shred your story to pieces (I'll be talking about beta readers later in this series of blog posts, so stay tuned). Once you get your beta feedback, do another round of edits and rewrites. [By the way, I usually send out my first or second draft to my beta readers, but I have thick enough skin to take the beating my betas will give me based on one of my early drafts. Most authors don't have thick enough skin to take this harsh criticism, so I'm recommending you send out a later draft. Of course, if your skin is thick, and you trust your betas to be excruciatingly brutal like mine are, then send them your first draft. It could save you a lot of editing and rewriting on things that will end up not mattering.] After you've addressed your beta feedback within your manuscript and are happy with the story, hire an editor. An actual trained and educated editor who comes with some credentials. Let the editor do their thing, and then implement his or her changes. Give the story one final proof (I do a proof, and I have someone else who also does a proof), and THEN you can publish.
True story about the importance of editing: Several months ago, I saw that an old friend of mine had published a book. I visited her wall. Less than a month prior, she had posted that her book was "about" halfway finished, but that she wasn't sure just how long the book would be, because she was flying by the seat of her pants as she wrote it. Okay. Stop. Think about that. Less than a month before she published her book, she was "about" halfway done with the book...which means that she finished the book probably a week or so before she published it. Yes, I went to the book listing on Amazon, and yes, I "looked inside." What I found was astonishing. It was obvious she hadn't done any editing or proofreading at all, and what I read was filled with not only errors, but too much "fluff" that detracted from the story and led to confusion. It was, in a word, awful.
Good storylines don't mean squat if the story is poorly edited (or not edited at all) and/or poorly proofed. No story is good enough to overcome poor execution. Edit, edit, edit!
How to Start Your Story
The best way to grip your readers is by starting your story at a point of change that leads to questions about what will happen:
- Your pregnant heroine walks in on her husband in bed with another woman. (What will she do? Will she leave him? Will she meet someone new? Will she be able to make it on her own?)
- A mother is getting her kids ready for school when an explosion shakes the house. (What caused the explosion? Will she be able to save her kids? Will their crumble? If so, then what?)
- Your middle-aged hero is unjustly fired from the job he's held for ten years. (Will he be able to find a new job? Why did he get fired? Will he sue? Will he get retribution against his former employer?)
- Your heroine opens an envelope which contains divorce papers. (How long were they married? Do they have kids? Was he cheating? Was she cheating? Why are they divorcing? How old is she? Is she scared to be single again?)
- Your hero is in a car accident and loses his leg. (Was it his fault? The other driver's fault? Is he hurt? How will this affect his life? His job? His relationship?)
Right away, your character(s) are under duress in some way. This is interesting. This is conflict and dramatic tension. These are the things readers want. They don't want to read three pages of your heroine washing her car as she talks about nothing of importance with her friend, who's helping her. Yes, I once tried to read a book that opened that way, and yes, I stopped reading after three pages.
You get maybe a page or two to grab your reader. If you don't grab them fast, you'll lose them.
The thing to remember about all these tips is that they're just that. Tips. They aren't the end-all-be-all gospel. Every writer has their own take and style, but every author has to start somewhere. Take from my tips what works, and leave the rest. And maybe something I've said might just spark you down a path you never would have gone otherwise. That's what it's all about, discovery new paths and methods of professional growth. I'm excited to help each of you find your own path of writing discovery and growth this year.
Happy Writing in 2014!